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In the lowercase design, Beatrix references early humanist typefaces, keeping small calligraphic details (as the prolongation of the e nose) that are especially visible in the italics. So, even if it’s basically a sans-serif, Beatrix keeps a subtle swelling at the terminals suggesting a glyphic serif - in the same vein as Herman Zapf classic Optima typeface. Beatrix Antiqua is part of the Beatrix Family that takes its inspiration from the classic Roman monumental capital model: its capitals are directly derived from the stone carvings in Florence Santa Croce Cathedral - where the serifs are often removed while keeping the variable width strokes. Allrounder Grotesk and Allrounder Antiqua provide you with the perfect pair for this purpose.īeatrix Antiqua is a humanist sans-serif typeface designed by Francesco Canovaro. It's also best practice to set headlines in a different typeface than the body text if they harmonize with each other. Head over to the Family Page of Allrounder Grotesk to get more information about this typeface.Design Trick: Bilingual Design With the Allrounder Superfamil圜ombining Allrounder Grotesk with Allrounder Antiqua is an ideal approach for bilingual designs, wherein both languages get the same emphasis yet are distinguished with two different typefaces. This allows you to pair both typefaces within the same layout-even within the same paragraph-without creating visual disruption.
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They both share common vertical metrics and a common color. That typeface is now available as Allrounder Antiqua.Perfect Pairing: Allrounder Antiqua + Allrounder GroteskAllrounder Grotesk is the ideal complement to Allrounder Antiqua. Rather, it evolved into a Granjon-inspired typeface. Over time, the typeface moved away from being a true revival. "To touch punches and matrices cut by Robert Granjon back in 1567 was an invaluable inspiration", Moritz explains. There, Moritz Kleinsorge decided to create a revival of Robert Granjon's "Ascendonica Romain", described as "a beautiful face typical of Granjon's mature style" in the inventory list of available material. You will find alternate letters with swashes within this extended character set, as well as all the accented glyphs necessary to support more than 200 Latin-based languages.Historical BackgroundThe (French) Renaissance-influenced typeface started as Moritz Kleinsorge's graduation project within the "Expert Class Type design" course of the Plantin Institute for Typography, located in the famous Museum Plantin-Moretus in Antwerp, Belgium. Just like its sans-serif counterpart, Allrounder Grotesk, Allrounder Antiqua is equipped with plenty of Opentype Features like small caps, six sets of figures, case-sensitive forms, superiors, fractions and many ligatures. It's also apt as an outstanding corporate typeface, be it for a more conservative venture or the latest hipster start-up.This classy serif typeface comes in four weights with corresponding true italics. If you need a sophisticated serif typeface for packaging, food, fashion, consumer goods, or lifestyle branding, Allrounder Antiqua is up for it. Some details, such as the small and sharp bowl of the lowercase a, are fully appreciated in large sizes only. A timeless typeface based on classical proportions, Allrounder Antiqua is perfectly suitable for advanced book and editorial design well as packaging and branding.True: its main purpose is to set flawless body copy and to generate an evenly textured page-but its refined shapes work fantastically in display applications, too. For novels and billboards alike.Allrounder Antiqua is an old-style serif member of the Allrounder superfamily.
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Timeless Renaissance looks, gently updated.